[et_pb_section fb_built=”1″ _builder_version=”4.25.1″ background_color=”#000000″ background_enable_image=”off” background_enable_video_mp4=”off” max_height=”100vh” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px|||” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.25.1″ width=”100%” max_width=”100%” max_height=”100vh” custom_margin=”0px||0px||true|false” custom_padding=”26px||26px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][dipl_text_animator animated_text=”PASOLINI ” postfix_text=”SOTTO GLI OCCHI DI TUTTI ” animation_layout=”flip” in_stack=”on” _builder_version=”4.25.1″ _module_preset=”default” global_text_settings_text_align=”center” global_text_settings_font_size=”50px” pre_and_post_text_font_size=”22px” custom_margin=”||10px|||” custom_padding=”14px||14px||true|false” pre_and_post_text_font_size_tablet=”22px” pre_and_post_text_font_size_phone=”22px” pre_and_post_text_font_size_last_edited=”on|desktop” global_colors_info=”{}”][\/dipl_text_animator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” header_5_font=”|300||on|||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” background_color=”#000000″ custom_margin=”||0px||false|false” custom_padding=”43px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.3em” min_height=”136px” custom_margin=”22px|||||” global_colors_info=”{}”]<\/p>\n
Regia<\/strong> Valentina Cognatti<\/p>\n Produzione<\/strong> Margot Theatre Company<\/p>\n Con\u00a0<\/strong><\/p>\n Aiuto regia<\/strong> Martina Grandin<\/p>\n Organizzazione<\/strong> Alice Staccioli<\/p>\n Costumi<\/strong> Fiorella Mezzetti<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/PASOLINI-Programma-Sala.webp” title_text=”PASOLINI Programma Sala” _builder_version=”4.25.1″ _module_preset=”default” border_width_all=”3px” border_color_all=”#1c1c1c” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.3em” custom_margin=”22px|||||” global_colors_info=”{}”]<\/p>\n LO SPETTACOLO<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.3em” custom_margin=”22px|||||” global_colors_info=”{}”]<\/p>\n Al centro della scena, una pedana di legno sospesa, retta da braccia umane. Nello stesso spazio si muove, solitario, visionario, Pier Paolo Pasolini, in eterno dialogo e scontro con la struttura del suo tempo. Lo spettacolo \u00e8 un viaggio nella vita, nella poetica e nel cinema di Pasolini, e analizza con lo strumento del teatro fisico-poetico il rapporto teso e conflittuale tra il poeta e la societ\u00e0 di cui si trova a far parte.<\/p>\n Traballa l\u2019Italia, si inclina per far salire le persone, ma in un attimo le ributta gi\u00f9, in una continua ricerca di potere da cui nessuno si salva. Con le loro meschine abitudini, i personaggi sono i protagonisti della struttura di legno quando salgono vittoriosi, certi di s\u00e9 stessi, ma ne sono anche le vittime, costrette a supportarne il peso e cos\u00ec a suffragarne l\u2019esistenza, come di una verit\u00e0 incrollabile.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.3em” custom_margin=”22px|||||” global_colors_info=”{}”]<\/p>\n RIFERIMENTI ALLA PRODUZIONE POETICA<\/strong><\/p>\n Poesia scritta sulla tavola di legno:<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” text_font_size=”18px” text_line_height=”1.3em” custom_margin=”22px|||||” text_font_size_tablet=”18px” text_font_size_phone=”12px” text_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n Non popolo arabo, non popolo balcanico, non popolo antico ma nazione vivente, ma nazione europea: Milioni di piccoli borghesi come milioni di porci Alla mia nazione, da P.P. Pasolini, Poesia in forma di rosa (1961-1964)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.25.1″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n RIFERIMENTI ALLA PRODUZIONE CINEMATOGRAFICA<\/strong>\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/ACCATTONE.webp” title_text=”ACCATTONE” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Primo film<\/em>: Accattone (1961)<\/p>\n Le vicende di Vittorio Cataldi, detto Accattone, un sottoproletario di Roma, che vive di piccoli furti, espedienti, e dello sfruttamento della prostituta Maddalena. Egli disprezza il lavoro e i soldi sudati, e passa il suo tempo tra la casa e il bar, dove incontra un gruppo di amici, anche loro delinquenti.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/CHE-COSA-SONO-LE-NUVOLE.webp” title_text=”CHE COSA SONO LE NUVOLE” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Secondo film<\/em>: Che cosa sono le nuvole? (1968)<\/p>\n Episodio di Capriccio all’italiana. Una rivisitazione dell’Otello, recitato da un gruppo di marionette, che sulla scena interpretano i ruoli shakespeariani ma dietro le quinte si interrogano sulle loro azioni, sulla morale, sulla morte e sulla vita.\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/MAMMA-ROMA.webp” title_text=”MAMMA ROMA” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Terzo film<\/em>: Mamma Roma (1962)<\/p>\n Mamma Roma \u00e8 un\u2019ex prostituta che, abbandonato il suo passato, cerca di ricostruire la sua vita: si aggiudica un banco al mercato e va a vivere in una casa alla periferia di Roma con il figlio sedicenne, Ettore, per il quale sogna una vita borghese.\u00a0<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/IL-VANGELO.png” title_text=”IL VANGELO” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Quarto film<\/em>: Il Vangelo secondo Matteo (1964)<\/p>\n Un\u2019opera al tempo stesso concreta e spirituale, marxista e religiosa, provocatoria e devota; fedele al testo originale, eppure ricca di aggiunte e invenzioni pasoliniane, come un Cristo interpretato da un sindacalista, la Palestina ritrovata nel Sud Italia, i sottoproletari al posto degli Apostoli.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/LA-RICOTTA.webp” title_text=”LA RICOTTA” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Quinto film<\/em>: La ricotta (1963)<\/p>\n Cortometraggio del film collettivo Ro.Go.Pa.G.<\/p>\n Stracci, un nullatenente affamato, viene ingaggiato come comparsa in un film sulla Passione di Cristo. Stracci riesce a procurarsi del pane e della ricotta, di cui si ingozza voracemente; la sua fame, animalesca e sgraziata, attira gli altri attori e tecnici, divertiti dallo \u00abStracci-show\u00bb.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/TEOREMA.webp” title_text=”TEOREMA” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Sesto film<\/em>: Teorema (1968)<\/p>\n Nell\u2019ordine borghese e perbenista di una famiglia d’alta borghesia irrompe un visitatore, un giovane bellissimo, che, con la forza dirompente dell’eros, muta per sempre la concezione che i personaggi hanno di loro stessi e li porta alla consapevolezza del loro futile stile di vita.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n RIFERIMENTI ALLA PRODUZIONE NARRATIVA<\/strong><\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Ragazzi di vita (1955)<\/p>\n Una scena di vita quotidiana del Riccetto e i suoi amici: la combriccola, dopo aver sgraffignato un po\u2019 di cose in giro, si prende del tempo per fare qualche tuffo nel Tevere.<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n \u00abBe? – fece Agnolo con aria minacciosa agli altri due. – Li mortacci tua, -disse il Riccetto, – che, c’hai prescia? – Ma li mortacci tua, – disse Agnolo, – e che semo venuti a ff\u00e0? – Mo se famo er bagno, – disse il Riccetto, e se ne and\u00f2 in pizzo al trampolino a guardare l’acqua\u00bb.<\/p>\n Da Ragazzi di vita<\/em>, 1955, Garzanti, Milano<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n RIFERIMENTI ALLA VITA\u00a0PRIVATA<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/LAURA-BETTI.webp” title_text=”LAURA BETTI” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/GUIDO-PASOLINI.webp” title_text=”GUIDO PASOLINI” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ _module_preset=”default” max_width=”100%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/SUSANNA-COLUSSI.webp” title_text=”SUSANNA COLUSSI” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/margot-theatre.it\/company\/wp-content\/uploads\/2024\/05\/CALLAS.webp” title_text=”CALLAS” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Produzioni” _builder_version=”4.10.5″ background_color=”#000000″ custom_padding=”0px||0px||true|false” global_module=”21780″ locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”16px||22px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][dipl_text_animator animated_text=”Produzione Teatrale” animation_layout=”wipe” animation_time=”1000ms” animation_hold=”4000ms” _builder_version=”4.16″ _module_preset=”default” global_text_settings_text_align=”center” custom_margin=”||12px|||” custom_padding=”31px||12px||false|” global_colors_info=”{}”][\/dipl_text_animator][dipl_separator seprator_thickness=”10px” separator_color=”#7A7A7A” separator_gradient=”on” grandient_color_1=”#FFFFFF” grandient_color_2=”#000000″ gradient_type=”radial-gradient” radial_direction=”circle at top right” gradient_start_position=”9%” _builder_version=”4.16″ _module_preset=”default” custom_margin=”||20px|||” locked=”off” global_colors_info=”{}”][\/dipl_separator][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_orientation=”center” global_colors_info=”{}”]<\/p>\n L’attore serve per trasportare la sua anima.<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_5,1_5,1_5,1_5,1_5″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ width=”100%” max_width=”100%” custom_margin=”22px|auto|22px|auto|true|” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”1_5″ _builder_version=”4.16″ global_colors_info=”{}”][el_advanced_flipbox layout1_shake_effect=”on” front_title=”IO ED EMMA” front_use_icon=”on” front_font_icon=”E||divi||400″ back_button_display=”on” back_button_text=”Scopri di pi\u00f9” back_button_url=”https:\/\/margot-theatre.it\/company\/io-ed-emma\/” back_background_color=”#f3cb4b” front_icon_color=”#FFFFFF” 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e cosa sei? Terra di infanti, affamati, corrotti,
governanti impiegati di agrari, prefetti codini,
avvocatucci unti di brillantina e i piedi sporchi,
funzionari liberali carogne come gli zii bigotti,
una caserma, un seminario, una spiaggia libera,\u00a0un\u00a0casino!<\/p>\n
pascolano sospingendosi sotto gli illesi palazzotti,
tra case coloniali scrostate ormai come chiese.
Proprio perch\u00e9 tu sei esistita, ora non esisti,
proprio perch\u00e9 fosti cosciente, sei incosciente.
E solo perch\u00e9 sei cattolica, non puoi pensare
che il tuo male \u00e8 tutto male: colpa di ogni male.
Sprofonda in questo tuo bel mare, libera il mondo.<\/p>\n\n
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